Paris By The Book by Liam Callanan was finished a few days ago.
This was a story of family. A broken family searching to piece itself back together. With a bookstore in Paris added as the backdrop, I simply couldn't resist but pick it up.
A missing person, a grieving family, a curious clue: a half-finished manuscript set in Paris. Heading off in search of its author, a mother and her daughters find themselves in France, rescuing a failing bookstore and drawing closer to unexpected truths.
Some passages I like :
Joking, sarcasm, anger was a way of pretending that I was fine, that I didn't miss him. And part of me, I confess, did not. But the reader in me, the makeshift muse, word-drunk and bereaved, she suffered. And, yes, the rest of me, my fingers and mouth and hair and stomach, I missed him like air, like water, like a second skin, like a book you love, you need, but is no longer on the shelf when you go to look because it turns out it was never written.
Reading him in double-spaced, 12-point Times Roman was an entirely different experience, and not just because he fussily preferred throwback typewriter fonts: the words here seemed jittery, loose, like a photograph in a tray of developer that refuses to fix.
I didn't love my job, but loved having a job. I was proud of having a job. I was proud of supporting our family - and supporting a fellow artist. And I did believe that, that Robert and I were fellow artists.
Madame does not believe in fairy tales, and nor, for that matter, does Eleanor:
it's not a question of belief, I've heard Eleanor say more than once. But here is what I believe, Stories provide a frame, a form, a mold. And a good story, one that's retold for generations, demands you pour the messy contents of your own life into it to see what happens as it hardens and sets.
I don't get interviewed about writing, but if I did, I would say that what writers need fear most is not writer's block but writer's knifes, some hammered and sharpened against that selfsame block, able to cut through anything.
Raising my kids is about raising yourself as a grown-up, and I was enough of one now to know, unlike Robert, when to leave.
Bought Saturday and finished reading today. A quick read indeed.
First of all, I do not want to compare it with the author's previous best-selling books decade ago -
Hannibal Lecter and
The Silence of the Lambs. Just read it as it is - not that bad I should say.
Cari Mora is the caretaker of an old mansion, notoriously known as previously belonging to drug kingpin Pablo Escobar. Living in Miami Beach, Cari is trying to stay under the radar and out of trouble. Years ago, she fled to the United States to escape her life as a child soldier, and has had wobbly immigration status ever since. Hans-Peter Schneider does bad deeds for even worse people, including the kidnapping and selling of young women to the highest bidder. When he spots Cari Mora, he knows that she will be his next target and when he discovers the infamous house she is responsible for (and what possibly lies underneath it), he sees an oppourtunity he can’t turn down.