
This reference is cutely honest and hilarious 😂
In the midst for something light to make my day.


When a woman is beheaded in a park outside Rome and her six-year-old son goes missing, the police unit assigned to the case sees an easy solution: they arrest the woman’s husband and await his confession.
But the Chief of Rome’s Major Crimes unit doubts things are so simple. Secretly, he lures to the case two of Italy’s top analytical minds: Deputy Captain Colomba Caselli, a fierce, warrior-like detective still reeling from having survived a bloody catastrophe, and Dante Torre, a man who spent his childhood trapped inside a concrete silo.
Fed through the gloved hand of a masked kidnapper who called himself “The Father,” Dante emerged from his ordeal with crippling claustrophobia but, also, with an unquenchable thirst for knowledge and hyper-observant capacities.
All evidence suggests that the Father is back and active after being dormant for decades. Indeed, he has left tell-tale signs that signal he’s looking forward to a reunion with Dante. But when Columba and Dante begin following the ever-more-bizarre trail of clues, they grasp that what’s really going on is darker than they ever imagined.




ABOUTI was more interested in the state of the killer.
From the wildly inventive mind of thriller master Sandrone Dazieri, whose first novel featuring investigators Colomba Caselli and Dante Torre, Kill the Father, was an international bestseller, comes the ingenious second novel in the series, Kill the Angel.
In Rome, a high-speed train hurtles into the city’s main station with a carriage full of dead bodies, the macabre discovery of which falls to Deputy Police Commissioner Colomba Caselli. Subsequently, the police receive a claim of responsibility and the threat of more murders to come. But neither Caselli nor her eccentrically brilliant ally, Dante Torre, are yet ready to buy the terrorist link.
As the two maverick investigators puncture the façade of what the perpetrator wants everyone to believe, they come close to dying several times.
Not for the first time, Dante’s bizarre childhood, during which he was kept confined for years in a concrete silo, enables him to see what others miss, and in this case, to connect with a kindred spirit of sorts, a woman named Giltine who experienced an equally bizarre childhood from which she emerged damaged, lethal, and full of murderous intent.
Adding to Giltine’s eerie fierceness is that, as the victim of a rare mental illness, she believes she’s already dead. She’s unacquainted with fear. And that makes her the most formidable foe Colomba and Dante have faced yet.
As the story climaxes, the duo finds themselves utterly on their own, on the outs with law enforcement and the only ones with a chance to make sure the waters of Venice don’t turn red with blood.
The wrappings came off the arm, taking with it all the remained of the skin, along with broad gobbets of necrotic flesh. Giltine saw the exposed muscle fibers, the bone that was practically black with rot. The odor was so pungent that her eyes teared up. ~pg423Can imagine it must be very painful.
There were stories in sweat.How could I resist but continue reading it into the wee hours with such interesting starting paragraphs?
Sweat was a body's history, compressed into jewels, beaded on the brow, staining shirts with salt. It told you everything about a person has ended up in the right place at the wrong time, and whether they would survive another day.
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| The Quantum Spy by David Ignatius The Burnings by Julian Lees |
AboutThe story is thrilling, but I like it even more as the author also educates us about Jakarta, Indonesia especially the interesting street foods here and there.
When Australian Jillian Parker's scorched remains are discovered in her burnt-out car Ruud Pujasumarta and his team are brought in to investigate what appears at first to be a routine homicide. But when Canadian citizen Anita Dalloway's charred body is found a few days later Ruud finds a banner unfurled by the corpse's feet. A verse from the Quran is scribbled across it, calling for unbelievers to be burned. The killer is targeting Christians. And the team's suspicions are confirmed when a third body, that of English backpacker Emily Grealish, turns up with the same M.O. But who is responsible? Is it the senior Australian diplomat from the embassy who was obsessed by the first victim? The Imam who preaches Sharia law? The Indonesian three-star military general taking backhanders and living a life of luxury in Jakarta? Or the local drug dealer with a score to settle? But Ruud is suspicious that the killer may be someone much closer to home, someone Ruud has trusted for many years. What unravels is a terrifying chain of events for Ruud. And what he discovers puts his and those around him lives in danger.
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| French artist Paul Gauguin's famous painting titled Where Do We Come From? What Are We? Where Are We Going? |